publications

 

• “Towards an Aesthetics of Cognitive-Parametric Music” ISBN – 978-1-291-34403-5

It can be obtained at

A low-resolution version can be downloaded at archive.org

Scores

• EndGame

Free download: Endgame

• Parametric modulations studies

The score was published as separata in the num. 30 of the Quodlibet magazine.

Analysis of works

• Endgame (2000) (only in Spanish)

 

Papers

• • • Taxonomy of listening tension based on cognitive dissonance (2024). Lectured at the Bled Contemporary Musical week 2025
    • Artificial Computational Creativity based on collaborative Intelligence (2020)     lectured in the Artificial Intelligence Music Creativity 2021, Graz.
    • Using a Distribution Probability Follower in MAS Works  (2018) Paper lectured at the  Korea Electro-Acoustic Music Society’s Annual Conference 2019.
    • Intrasensory Synesthesia in Musical Composition (2017) Paper lectured at the VI International Congress Synesthesia, Science & Art. It can be downloaded from academia.edu. ISBN 978-84-9486655-0-0. The complete e-book of the Congress can be obtained at Google Play

    

    • Thinking Music Parametrically (2015)
    • Divulgation writings about Cognitive-Parametric music (2013) ( revised version 2019)
    • What is Cognitive-Parametric Music (2013) Published in the 11th V!rus Journal
    • Using cognitive models and time relativity formalizations in parametric music and its treatment with Max/MSP (2014) (Paper for the conference Espacios Sonoros 2014). Download. ISBN 978-84-608-8201-5.

    Texts (only in Spanish)

    • Pre-con-texto-mente (2010).
    • Las posibilidades epistémicas de los sistemas rizomáticos frente a los basados en flujos de determinación sobre una centralidad (2001).
    • Los conceptos de progresivo y regresivo desde la perspectiva de los paradigmas de progreso asociados a una racionalidad creciente (2001).

    About Busevin

  • Some individuals and organizations have copied and re-appropriated some of Busevín’s ideas and texts. In the academic and artistic fields, these actions and attitudes are considered dishonest and intellectually insincere. Copying and stealing are legitimate as long as the original is cited.

    But there have also been honorable and honest people who have used the composer’s ideas, citing them appropriately, for example:

  • Concepción , H. (2021). Música Interactivo Paramétrica, Protocolo de Notación y Formato. Universidad Nacional Pedro Henríquez Ureña.  

If you want to request something more, you can do it at:

https://busevin.art/contact