“The Human in the Loop” (2025) Daegu version. Dmitry Lee and U RI JO performing the work
Busevin is a Composer dedicated to experimental, instrumental, and computer music. He studied composition with José Luis de Delás and received musical training in workshops with composers, analysts, and interpreters at the Music School of the University of Alcalá de Henares. He studied Computer Music, especially with Emiliano del Cerro, at LIEM courses. Busevin is the pseudonym for Fernando Egido.
“Liquid Tensioning” (2026) Hamburg version
His works have been presented at festivals and conferences, including the Tenor 2025 conference in Beijing, Daegu International Computer Music Festival, International Computer Music Conference 2023 in Shenzhen, 2024 in Seoul, 2025 in Boston, and 2026 in Hamburg. Bled Contemporary Music Week. New York City Electroacoustic Music Festival (2016 – 2017- 2020- 2023) Sound and Music Computation Conference 2025 in Graz, The Sound of the Anthropocene, MUSLAB .abeceda Inštitute in Ljubljana, International CSound Conference in Athlone 2022 and Vienna 2024, La Hora Acusmática, Convergence 2022 conference in Leicester, Atemporánea Festival in Buenos Aires, Artificial Intelligence Music Creativity 2022 in Tokyo, Ars Electronica Linz, Audio Mostly 2022 Conference in Sankt Pölten Austria, the Sound Kitchen 2022 inside Worl Stage Design, Epicemtroom, Sur Aural, EVO 2021, OUA Electroacoustic Music Festival 2020 in Osaka, International Society for Music Information Retrieval 2020 in Montreal. The Seoul International Electroacoustic Music Festival 2019, the Australasian Computer Music Conference 2019 in Melbourne, SID (Sound, Image, Data) 2015 conference in New York, Venice Vending Machine III, JIEN in the Auditory 400 National Museum Art Center Reina Sofía, SMASH Festival, Encontres Festival in Palma of Majorca, ACA, the Fundaçió Pilar i Joan Miró and Nomad Roots.
“Parametric Formalizations Studies” Ljubljana version (2011)
“Cognitive Dissonance” was awarded in December 2014 at the II INTERNATIONAL CONFERENCE SOUND AND AUDIOVISUAL SPACES: SENSORIAL EXPERIMENTATION AND ACTIVE LISTENING. His work “For Rachel Corrie was used in the documentary «Os quiero, os respeto, os necesito» (15M desde dentro) by Alex Campos. The installation version of “Sound stains” was featured at the Fundació Pilar i Joan Miró during the foundation’s 25th-anniversary celebration, as part of the exhibition of Joan Miró’s paintings held for the occasion.
“Horror Vacui” (2017) Sankt Pölten Version
Discography
His work, “Transmetric Variations” was included in the “Complex Planet” exhibition, curated by MUSLAB, and released in a triple-volume CD edited by Cero Records. His work, “Three Chants for the Computer”, was included in Spectropol Records’ 2017 selection of electroacoustic works.
Fernando Egido 